Gregory Sholette is an artist and writer whose publications include It’s The Political Economy, Stupid co-edited with Oliver Ressler, Dark Matter: Art and Politics in an Age of Enterprise Culture, both Pluto Press UK, as well as Collectivism After Modernism with Blake Stimson, University of Minnesota Press, and The Interventionists with Nato Thompson, distributed by MIT. His recent art projects include Collectibles, Action Figures and Objects, at Station Independent Gallery, NY; Imaginary Archive: Graz, Rotor Art Center, Graz, Austria; Exposed Pipe at the American University Beirut Art Gallery; Torrent for Printed Matter Books in Chelsea, NY; iDrone for cyberartspace.net; and Fifteen Islands for Robert Moses at the Queens Museum. Sholette is an Associate of the Art, Design and the Public Domain program at the Graduate School of Design at Harvard University, a member of the Curriculum Committee of Home WorkSpace Beirut, and a faculty member of the Queens College Art Department, City University of New York where he helped establish the new MFA Concentration SPQ (Social Practice Queens): socialpracticequeens.org